MEET JEROME'S MOTHER Save the date and come celebrate with us on Monday July 31st from 6:00-8:00 PM! Together, let’s all lift a glass in honor of our beloved Jerome and make a toast to his mother, Bernardine Caja. She is coming here from Cleveland, Ohio to see her son’s art at the Tiny Bubbles exhibition at the San Francisco Arts Commission Main Gallery (located at 401 Van Ness Avenue). I am thrilled to announce that The Jerome Project will host and film this special event in honor of her. She has not been here since 1995, so let’s all gather and welcome her back with open arms. For this private, one-night only affair, we will feature — in addition to the 50 pieces already on display — some very rare Jerome art, ephemera, and memorabilia that you probably have never seen. Space is limited. Please RSVP directly to us by clicking on the red button below so we can plan accordingly. Light snacks and refreshments will be provided. We will also do a brief media presentation introducing our advisors and collaborators, and give an update on the documentary film. Lastly, in the past whenever I have done similar gallery events, several Jerome lovers and collectors show up out of the blue with an original piece of artwork in hand. I love this! I am encouraging any of you who own some of Jerome’s smaller pieces to please bring them and share them with us. We would love to see them. I know Jerome's mother would also love to see them too. We look forward to seeing you there — CHEERS! -Anthony Cianciolo www.thejeromeproject.com www.anthonycianicolo.com
by Anthony Cianciolo |
Here is an excerpt from Glen's essay in the Art AIDS America catalog featuring Jerome Caja: "In the context of Art AIDS America, at one end of the spectrum is Nayland Blake, whose work is cerebral, playful, and at times arcane, but notably attuned to the metaphorical and actual effects of HIV/AIDS on the city's psyche; on the other is Jerome Caja, whose fetish paintings of scary clowns and skinny drag queens rendered in nail polish are intuitive and dreamlike, evoking a scene out of an eroticized Hieronymus Bosch painting but with figures dressed in ripped fishnets and ornamented with crudely rendered Happy Faces. The works of many other artists can be located at various points between these intellectualized and expressionistic impulses."
The San Francisco Film Society (SFFS) Continues to Support Jerome Caja!
Check out the recently published online Indiewire Exclusive (SF Film Society Awards Residencies to New Filmmakers) announcing the new FilmHouse awards. The Jerome Project is one of the recipients! Two years ago we were awarded the one-year FilmHouse residency, after that we were awarded a one-year anchor tenant position at FIlmHouse, and now we have been given a one-year Flex-Use tenant position. This new residency will take place in the FilmHouse location on Broadway in North Beach in the old World Theater building. It is so important to have community around you to share your accomplishments and struggles. One of the biggest challenges documentary filmmakers face is the years of extensive development that can leave directors feel like they are enclosed in a vacuum. A residency program puts working filmmakers under one roof to expose each other to those daily hurdles and shared experiences. The multiple residencies at SFFS have been crucial for The Jerome Project by allowing outside perspectives to enhance its development. At FilmHouse we found a safe space to hold meetings, host events, and participate in many in-house workshops, peer-to-peer presentations, and continuing education classes. Again, thank you SFFS. Your support is golden! Indiewire Exclusive Article by Ruben Guevara: SF Film Society Awards Residencies to New Filmmakers SFFS Official Website: San Francisco FIlm Society SFFS Residency Programs: Filmmaker360 Film House SFFS Filmmaker360 Donation Page: The Jerome Project by Anthony Cianciolo
by Anthony Cianciolo
Triptych from the "3304 St. Clair Series" - by Anna van der Meulen
laser ink-jet prints on aluminum with a high gloss finish Spring 1988, 6in x 4in (each)
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March 2025
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